The Query – the dreaded next step from actually writing the story, manuscript, novel to getting it to the masses for consumption. To be able to share your story with the world, you have to first get it into the hands of someone in the industry who could make it happen. It is a difficult step for an author, especially new authors.
Whether you want to have your finished work published via traditional markets, e-books, Print on Demand or in journals/magazines, you need to Query. Querying can come in the form of a letter to an agent or publisher, but it is basically a pitch of your story to someone who has no idea what you have written. As many authors soon come to find out, it is harder to do a proper query than it is to write the book or story. And the pitch is not a step-by-step covering of your plot, it is a hook to grab the reader’s attention so they become interested in your book. The hook is nearly similar to what you would commonly see on the book jacket – it is the few sentences that either interest you or make you put it down.
For myself, it was a long arduous learning curve that I am still trying to master. When I first wrote my original book, my Query was shock full of mistakes. And those mistakes still carried over to the contemporary thriller, but where my fantasy failed, my thriller succeeded and I chalk that up to the market and genre. The point is, what works for one, does not work for another – and that goes especially true for agents.
Agents are people and they have their own tastes and wants. As an author, I forget that from time to time when I get a rejection or don’t hear anything. Agents have to be interested in the story, otherwise they are just wasting their time, which is as important to them as it is to you.
The same goes for the Query letter itself. I have gone to workshops and done webinars and bootcamps and learned one thing – everyone’s idea of a good query letter is different. Some agents want and expect one style, while another says something different. It is a difficult path to travel for authors because we think it should be easy since we wrote a full story – but we are wrong more often than not. While many agents follow a similar pattern, it is really pertinent to tailor each Query to the specific agent or publisher (even though most publishers want agent submissions, not unsolicited). It is good to have a stock letter, but to alter it each time with different tweaks to meet the agent’s needs/wants. It is good to have a solid few points to touch on from the plot, but make it fluid enough to alter if needed.
For example, in my story, I have an LGBTQ main character while also discussing a different take on religion in the future. In my basic letter, I don’t mention either because I know what type of hot topics those can become. But as I research different agents, I will add those parts if they mention they are drawn to that particular thing or if they want to see different perspectives. It is all about playing to the wants of an agent, but also not lying about your storyline. Not all agents request a Synopsis (another difficult piece to do for authors – keeping it one page, come on, that is super hard for us wordsmiths!), but that doesn’t mean you should exclude those things in the Synopsis. The Query and the Synopsis are two different animals and though I might not mention sexuality or religion in every Query, they are both in my Synopsis because they are integral to the overall plot.
With all that said, I am still trying to find representation for my novels. I have four completed books that are ready for the next step and it is up to me to persevere to get them to see the light of day. The query process might eventually be longer than it took me to actually write the books, but that is where a writer becomes an author.
Rejection is part of the game and you have to not take it personal. At first, I took it personal whenever I received a rejection, but I was younger and new to the process. Now, I look at it as part of the overall process. Querying is like taking a piece of you and putting it out there, it can be shot down and it does hurt, but like all things, to succeed, you have to push through. I know that there is someone out there who will fall in love with what I have written and it is up to me to find that person. If it takes me 1000 rejections to find that one who will take me to the next step, I will continue on (hopefully it doesn’t take that long!) with gusto and determination. That is the great thing about writing, it allows you to pour your heart on the page and let others into your world. I wouldn’t want to waste all that time I spent on writing it to just let it sit there and not be seen because a few people didn’t connect with it.
Interestingly enough, the day before writing this post, I participated in a Twitter pitch for my series. At first I thought it was even more difficult to condense the query down to 140 characters, but after the first few, it seemed easier for some strange reason. Social Media has changed the game, even from 2007 when I started the process. It has opened up new avenues for writers, created a larger community for us to get out there. I love it and truly enjoy interacting with others like me, other dreamers.
Dream on my friends and don’t give up on those dreams. I know I won’t. One day, the Dies Irae will be available for Fantasy Readers.