Feast of Souls by C.S. Friedman is the first book of the Magister Trilogy. The thing about this series is showing how using magic costs something. In many fantasy worlds, there are limitations and rules for magic systems and this one is one of the most draining – literally. The magic system relies on the cost of life. To use magic is to drain life from the user, unless you are a magister that is. Magisters use the life of others for their magic.
Against the above backdrop of cost of life for magic the series starts out with a very interesting thought. However, these magisters are all male and long-lived, thus they quarrel and don’t trust each other. Witches, both male and female, will use their life to make their way in life, though they know they will die. The series starts with a young girl who goes with her mother to a witch and sees the witch spend the remaining life in her to save her brother. This girl grows up to want to become a magister. She trains, she learns and she becomes the first female magister. In the world of magisters, they use other people’s life for their magic, becoming a consort to the magister. Well we couldn’t just have a simple story, could we? No, the first consort of the female magister, Kamala, is none other than the favored son of a king. Andovan then goes to seek out the source of his mysterious illness. Behind all of this, there is a magister trying to discover things, a king corrupted by an ancient being of soul-suckers from the north, the queen who would fight it, and a witch queen.
This story moves very fast and is easy to read. If given the proper time to sit down and read, one could finish this story in a few short days. The pace never stops and it is so well written in terms of word choices and grammar, that most can breeze through it.
The magic cost system starts out fantastic. Andovan’s illness is awesome and having him randomly fall victim to the wasting is great in moments of tense scenes, where his strength and certain victory is normally assured.
Kamala, the female magister is a great character. She is driven and seeks to become the first female magister. She just wants the power. She schemes and does things that a strong female character should do in this book. Just like what a man would do.
Coliver, the other main magister, is such a veiled character that it made me want more of his scenes. You never truly knew what he was up to and I loved that as a reader. Just enough glimpses to want more.
The characters listed above were the main driving point of the story. Yes there were some missteps (see below), but these three were so enjoyable that it made the plodding plot and side-stories worthwhile.
What doesn’t work:
Let’s just say this and keep it simple: The magic system is awesome, but then it peters out so quickly in terms of what could be. The price of life is built up so much early on, but once Kamala starts to grow, that cost looses its appeal. There is so much tension once Kamala and Andovan meet, but I think it was fumbled. This only gets worse in the next two books that it becomes disappointing.
As much as I loved Kamala as a character (again more of this in books 2 & 3), but her constant remembrance of her life as a child whore does not ring the right cord as it should. It is huge backstory, but I felt that there were multiple times that she used it for silly reasons. It didn’t hit the mark that I’m sure Ms. Friedman wanted…Also, Kamala, for all her tortured history of a child whore, she sure has no problem using her sex to get things. Seemed out of character to me.
This books was published in 2007 and I have no doubt that Ms. Friedman is a wonderful writer, she told a great story here. But that said, the use of adjectives for a person’s spoken dialogue is a huge error in my humble opinion. Gravely, quietly, slightly, coldly, curtly, inwardly appeared in so many conversations that I started to roll my eyes each time I saw them.
One other thing I didn’t like too much was the way some chapters are written. Like the flashback scenes (this happens throughout the trilogy) starts with “Character X remembers.” I don’t mind flashback scenes, but starting it that way confused me as a reader. I think there could have been other ways to introduce the flashbacks.
2.5 out of 5